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The main character is Vesimir (Theo James), a name familiar to fans of both the books and the games.
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This film is excellent, the animation allows a little more bravado and poetic license with things like spell casting and locations, and with no location building costs, all that is being paid for is the animators who, it must be said, have earned their money. With more time to be spent on streaming, getting to know the ins and out of a world is becoming the key to retaining audiences. We can’t argue with the market logic, everything at the moment, from Universal’s fairly average “Monster-verse” to Marvel Studio’s soaring Marvel Cinematic Universe, even as far as the expanding prequels for HBO’s Game of Thrones, which is currently in development, worldbuilding is what the audiences of today are looking for.
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The Witcher 3 set sales records in the gaming world, and Netflix has realised that continuing the storytelling between the major series releases, with this animated prequel, was the way forward.
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The Witcher series has the best of all worlds pre-existing source material, an expandable story with no endpoint already built into the stories, and fantastic fan-led professional projects. Multimedia worldbuilding is the key to major IP success in the world of streaming, cinema, and gaming.
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The Continent is well fleshed out, the races, their politics, and history across the book series, game series (one of the greatest in history) and the new TV series. The Witcher Series comes behind very few fantasy series in terms of the lore and worldbuilding. This is the story of Kaer Morhen and how it fell. I would definitely recommend watching it because it’s a lot of fun, and should be appropriate for the more faint of heart.Everybody is doing it now: World Building. Adults act this way as well, of course – we just try and pretend we don’t. High school serves as an excellent setting because emotions are much bigger and impulse control much less. The ultimate points the show makes, obviously but entertainingly, are that our choices and actions have consequences and that acting purely on our emotions and desires often turns out poorly for us (because what we desired wasn’t truly what we thought). I don’t want want to spoil any more than that. The episodes that wrenched my heart most were concerning a young man who was given the power to learn at an inhuman speed – at the cost of remembering everything and anything else. In Korean cultural context, each problem – cliquishness, idolizing physical beauty, belief that the only way to succeed is to get into one of the top three colleges – takes on more significance.
It’s well-filmed, acted, and written in such a way that causes us to sympathize with pretty much all of the characters (even, dare I say, the teacher). This does not mean that the stories aren’t moving or interesting. Each episode tells the story of one student, their interaction with the substitute teacher, and their subsequent choice – related to what they currently desire most. And, quite honestly, it’s pretty clear where most of the plot is going to go.
It’s more a mystery-cum-morality tale – it describes what unchecked human desire and emotion can lead to, through the use of a (somewhat supernatural) mystery. It doesn’t even really fit in the psychological thriller category, although that would be the closest horror category to put it in. It’s a short series of 12 episodes between fifteen and twenty minutes each, following certain high school students when they’re unexpectedly given a substitute teacher.ĭespite the title this show can’t be classified as strictly horror – the plot doesn’t actively scare or unsettle you (except perhaps existentially? morally?), there’s no gore, no jump scares.
I’ve been introducing N to k-dramas and k-pop, and together we watched Nightmare Teacher (a.k.a Nightmare High). Once my energy isn’t in job searching and my attention span returns. I’d like to get into reviewing more seriously. was good or not beyond simply expressing my opinion on media. My reviews, currently, aren’t to provide much insight into whether the book/show/etc.
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